Marcelo (Tarcísio Meira) is a tiresome, powerful and selfish millionaire. He lives in an existentialistic crisis, since he is a successful businessman but afraid of age and death. He can have the woman he wants, but in his intimacy, he desires the unique impossible woman, his daughter. In the present, he has the companion of two whores - Lila (Nicolle Puzzi) and Renata ( Monique Lafond) - but he is not satisfied. They three will spend Christmas and New Years Eve in an island where Marcelo has a mansion. In a party, he meets another whore - Diana (Monique Evans, in the top of her sculptural beauty) and invites her to go to the island with them. All of these delicious women are paid for satisfying him. While in the island, his daughter Berenice (Bia Seidl) visits him with her friend Beatriz (Christiane Torloni). This holiday period will end Marcelo having an incestuous relation with Berenice. The end of the movie shows that even after reaching the impossible woman, Marcelo is not satisfied. In this erotic movie, Walter Hugo Khouri has the participation of at least five of the most beautiful and desirable women in Brazil: in the Eighties, Monique Evans, Monique Lafond, Nicolle Puzzi, Bia Seidl and Christiane Torloni were disputed by male magazines to be shot nude. The story about a powerful dissatisfied man has great dialogs. However, it is not indicated for all audiences. 　　http://www.65anosdecinema.pro.br/Eu.htm 　　http://www.adorocinema.com/filmes/eu/eu.asp

Marcelo (Tarcísio Meira) is a tiresome, powerful and selfish millionaire. He lives in an existentialistic crisis, since he is a successful businessman but afraid of age and death. He can have the woman he wants, but in his intimacy, he desires the unique impossible woman, his daughter. In the present, he has the companion of two whores - Lila (Nicolle Puzzi) and Renata ( Monique Lafond) - but he is not satisfied. They three will spend Christmas and New Years Eve in an island where Marcelo has a mansion. In a party, he meets another whore - Diana (Monique Evans, in the top of her sculptural beauty) and invites her to go to the island with them. All of these delicious women are paid for satisfying him. While in the island, his daughter Berenice (Bia Seidl) visits him with her friend Beatriz (Christiane Torloni). This holiday period will end Marcelo having an incestuous relation with Berenice. The end of the movie shows that even after reaching the impossible woman, Marcelo is not satisfied. In this erotic movie, Walter Hugo Khouri has the participation of at least five of the most beautiful and desirable women in Brazil: in the Eighties, Monique Evans, Monique Lafond, Nicolle Puzzi, Bia Seidl and Christiane Torloni were disputed by male magazines to be shot nude. The story about a powerful dissatisfied man has great dialogs. However, it is not indicated for all audiences. 　　http://www.65anosdecinema.pro.br/Eu.htm 　　http://www.adorocinema.com/filmes/eu/eu.asp

Based on the autobiography of Noboru Andô .

凌晨风（朱千雪 饰）是新界北冲锋队的警长，一次执行任务中，凌晨风的行动遭到了名为关鼎民（王浩信 饰）的男子的阻挠，最终爆发了一场恶战，凌晨风的父亲凌海（罗乐林 饰）不幸意外丧生，这让凌晨风十分自责，然而，让她没有想到的是，自己竟然拥有了能够使时光倒流的能力，她斗志昂扬回到了事发三日之前，希望能够挽救父亲的性命。 　　然而，事情却并没有凌晨风所想象的那么简单，回到过去的她，其一举一动都会牵连到未来的走向。最终，凌晨风顺利救下了父亲，却意外发现了一个警匪勾结的惊天阴谋。正义感满满的凌晨风毅然再度回到过去，却因此发现了冤家对头关鼎民不为人知的的善良一面。

凌晨风（朱千雪 饰）是新界北冲锋队的警长，一次执行任务中，凌晨风的行动遭到了名为关鼎民（王浩信 饰）的男子的阻挠，最终爆发了一场恶战，凌晨风的父亲凌海（罗乐林 饰）不幸意外丧生，这让凌晨风十分自责，然而，让她没有想到的是，自己竟然拥有了能够使时光倒流的能力，她斗志昂扬回到了事发三日之前，希望能够挽救父亲的性命。 　　然而，事情却并没有凌晨风所想象的那么简单，回到过去的她，其一举一动都会牵连到未来的走向。最终，凌晨风顺利救下了父亲，却意外发现了一个警匪勾结的惊天阴谋。正义感满满的凌晨风毅然再度回到过去，却因此发现了冤家对头关鼎民不为人知的的善良一面。

"Eu Tenho a Palavra" is a linguistic journey in search of the African origins of Brazilian culture.

By her friend Sarah's suggestion, high school senior Nicole manipulates test scores to be the valedictorian, but becomes the prime suspect for a series of top-ranked students' murders.

暂无剧情简介

A raw account of how some of the best architects in the world, design giants like Jean Nouvel, Frank Gehry or Zaha Hadid, struggle to beat the competition for the National Museum of Art in Andorra. While nearly as old as the profession itself, architectural competitions became a social, political and cultural phenomenon of the post-Guggenheim Bilbao building bubble. Taking place at the dramatic moment in which the real estate bubble became a global crisis, this is the first competition to be documented, producing an unclassifiable piece of art that may be an intense thriller, an ethnographic report as well as a cult movie around the icons of the contemporary architecture

A raw account of how some of the best architects in the world, design giants like Jean Nouvel, Frank Gehry or Zaha Hadid, struggle to beat the competition for the National Museum of Art in Andorra. While nearly as old as the profession itself, architectural competitions became a social, political and cultural phenomenon of the post-Guggenheim Bilbao building bubble. Taking place at the dramatic moment in which the real estate bubble became a global crisis, this is the first competition to be documented, producing an unclassifiable piece of art that may be an intense thriller, an ethnographic report as well as a cult movie around the icons of the contemporary architecture